Wednesday, 10 May 2023

To Winter. RI Ko. 2015. 3 Inscription of ancient China. Translated by Google translate 2020

 

To Winter. RI Ko. 2015. 3 Inscription of ancient China. Translated by Google translate 2020


From Author;
This essay has text incompleteness by web's ability.
Please refer to the next text.
Original next is Japanese.

https://geometrization-language.webnode.com/news/to-winter-ri-ko-2015-3-inscription-of-ancient-china-translated-by-google-translate-2020/


 

To Winter. RI Ko. 2015. 3 Inscription of ancient China

----------------------------------------------------------------------------------------------

From author:
This old letters of China, Jaguwen in Chinese, is the very starting point of my research of language's basis.
WANG Guowei
, genius of Qing Dynasty, is my admire scholar in life. At Kanda, Tokyo - The biggest old bookshop streets in Japan, where I bought his Selected Work Book titled Guantang jilin in 1974, age 27. It has become my lifetime book. His harbinger DUAN Yucai is also my teacher in life. His book, Showenjezichu has vast value to the research on Chinese letters till now. 

----------------------------------------------------------------------------------------------

It was sunny on Sundays so I took a tram to the secondhand bookstore. If you go through a wide highway enough, you will enter the secondhand bookstore area. The ginkgo tree on the roadside tree is still a little early in the yellow leaves. The brown brick buildings lined up on the left and right are in harmony with the old cobblestone walkways. Once upon a time on the city line, I got off at the old D station and went south on the cobblestone walkway into the secondhand bookstore district. So now it's easier. Just north of the tram stop, there is an N bookstore of popular Chinese books. It's the easiest routine to walk, so I've often come to the same bookstore before I knew it. N bookstores have a narrow frontage and a long back, as is customary for bookstores around here. There are two aisles and four bookshelves. There is a clerk at the back. I once asked about the stock of a book I remember. Then, I got into trouble because I was silently handed over a thick catalog. Since then, I haven't asked too much carelessly. Since I'm looking around the entrance, I'm going into the depths today. It takes only a while to get used to the light darkness. The old, large, and spectacled clerk is silently continuing to work, perhaps as a package to be shipped to the library. An unknown book title is lined up on the slip. A decided not to get in the way and looked at the bookshelf directly in front of it. I reached out to the book's dictionary of shell characters on the cover of a light gray mouse, which was right in the middle section. It is heavy when picked up. It has a unique oily odor. There may be few real oil-printed books like old days, but Chinese books have a unique odor. Inside is a black frame with vertical ruled lines, on which handwritten characters are printed. The scraps of letters are not so tight. Many handwritten characters are too hard to read and difficult to read. Since the foreword is long, I looked at the end of it and it said that it took eight years to make this dictionary. The inscription on the headline is in the list after the introduction. When you look at the text, there are quite a few words that say "letter shape is quite unknown" or "unclear". I decided to buy it because I was honest and liked it. It was so heavy that it would be inconvenient to walk from now on, but since it would be awkward to drop in again on my way home, I bought it as it was. A little south on the opposite sidewalk, there is an old two-story coffee shop. The first floor is like an office, and you can go up the stairs to become a store. I went out without having lunch, so I decided to do it easily. There are always few customers. I wonder if this is all right, but it's still going on. Looking down through the window, people rush through the sidewalk. Perhaps a person from a bookstore, he ride a sturdy bicycle with a large bamboo carrier. Sometimes tram is passing. This landscape hasn't changed in a long time. He walked around here like a lion. It was not long before he was interested in skeletal script. The origin of anything is fascinating. The letters started here, and that was enough grounds. After that, I spent a while reading introductory books and commentary. A certain concept, the figure that represents it, and its deformed depiction change with the times. But soon after, I wondered what was in front of it. Nothing. What happens when you go to a place where there is nothing? The idea is getting simpler and childish, and there is nothing at the tip of it. When I thought so, I didn't feel like continuing. After that, I moved, and some of the books I collected were scattered.However, it was because of the fireworks prints that I recently started to worry about skeleton letters again. While thinking about the flow of the screen, time is inherent in the figure, because the instep character showed it. In the print, fireworks are launched one after another and open. It is repeated infinitely in small prints. You can call it an event in a closed time. I thought that there might be such closed time in the letters. Once upon a time I was looking at the forest of the Kando, the kingdom, and I encountered a sentence. It was written about the letter "Yagi". This character has the meaning of "crossover" or "permanent". The kingdom says, in its inscription, the two horizontal lines drawn up and down are the riverbanks, and between them is a crescent-shaped boat, a boat crosses between the banks, so `` "Crossing" or "going back and forth" means "repeatedly performed ." When I felt that the kingdom Wei revealed the existence of time in the kanji as a structure, I was defeated by the precise reasoning, but at that time it was just that. It's now revived under the sun by the fireworks prints. I could barely understand a part of it when I decided to leave the Kandorin forest on a wandering day, but I was foreseen that hope would shine like a straw. That has now become a reality. In his book Guantangshilin, at ShiXi, the word "west" indicates that it is a bird's nest, and in his book Shizhoupianshu, the word "middle" indicates that the flag is fluttering in the same direction due to the wind. . That is, the birds return to their nests at sunset and the flags flutter in the wind at the center of the group. There was just time in the letters. In particular, it was said that a "middle" character with a flag fluttering to the left and right was a phenomenon that could not occur in the same wind, and there was a transmission error in that character, and it was said that it was a letter.Although the texts of WANG Guowei are all relatively short, each one of the warichu, special notes was filled with a swift and sharp view that evoked vast historical facts behind it. In literature as well, he say finely in Renjiancihua speech, in the air, the colors in the phase, the shadows in the water, the shadows in the water, the elephants in the mirror, and the words. Touch the finiteness of language and the infinity of meaning. Also, the five letters of "wet the light rain stream" will all be able to photograph the soul of spring grass. WANG Guowei was born in 1877 and died in 1927. Did he live in the modern age with a sharpened gift, or did he himself build the modern age? While reading the dictionary, which I stopped when I returned to my room, I was attracted to the skeleton letters of " iku". It is clear that this letter is the image of a woman giving birth and the image of a child being born below. In ancient form the child is therefore written upside down. Some sources also indicate amniotic fluid at birth. In other words, the original meaning of this letter is the birth itself, but after childbirth, childcare begins immediately. Therefore, it was written that the meaning of "indulge." From the idea of the time inherent in this letter, we can take the steps from preparation for childbirth to childbirth itself, and upbringing. I was curious, so when I look at this letter again, when I look at Shuowenjezichu of the DUAN Yucai, which is the most respcted by WANG Guowei in Chinese classical linguistics, the upside-down child is not good, so it has meaning to make it good It was written. The explanation is that although the image of the original material is left in the "upside down child" part, it is abstract as a whole, and it is inherent in the figure and the figure showing the concrete course of birth that the original material has. From the time it was told, it was a long way off. The rare scholarship, DUAN Yucai died in 1815. The bone character discovered in 1899 was finally unseen.

 

Read more: https://geometrization-language.webnode.com/news/to-winter-ri-ko-2015-3-inscription-of-ancient-china-translated-by-google-translate-2020/

KAJIMURA Hideki His Korean Classroom With Note

 

KAJIMURA Hideki His Korean Classroom With Note


17/10/2019 21:29


KAJIMURA Hideki
His Korean Classroom 

TANAKA Akio

I first met KAJIMURA at 1970 and he taught me the Korean in the small class of foreign language.
Text was SONG Jihak’s “Chosono Immun” published by Daigaku Shorin. It was one of a few books for beginners of Korean at late 1960s in Japan. Korean texts were published a few, so we could  usually see only 2 or 3 kinds at a large bookshop.
I was age 21 and KAJIMURA was 30s.

Class was opened in the forth period and the room was dim-lit in late autumn season.
In the same room, I was also taught Russian from CHINO Eiichi and MURAVIJOVA Natary.
I have good memories of learning foreign languages in that tiny room.

KAJIMURA was a high school teacher in those days and also teaching Korean history and language in several universities. Rightfully he ought to  become the special professor of national institute but he abandoned all the right to pioneer the new frontier of Korea, for which  East Asia researchers seemed to be less important. 

I remembered his words that Korean grammar was once explained by using Russian grammar which was far apart from Korean and its family of language.
He said the words with smiling. “Such times surely exist in short period.” I felt that the times had been changing rapidly before ours, nobody believes  that Russian and Korean are family languages.

He wore the round glasses and no neck-tie. Jacket was old and shoulders were always down a little for his thin shape.
When I was absent from my schedule in winter season, he wrote me a letter.
I wrote a reply immediately saying that Korean language was precious for me and I decided to keep learning the language all my life.
What I wrote there was true till now.

He also invited me to his home. But I could not depend too much to him.
But now I regret that I had not received his favour. Later when he became the professor of a university, I would go to his study room at once. But at that time I also did not go because I thought that this time I was always able to visit him.
He incessantly wrote the papers. A lot of researchers respected his sincere attitude of studying.

I did not meet him in those days.
And I suddenly heard his death.
He died from disease in 1989.
He taught me the Korean and further more sincerity of living style to the world.

Tokyo
4 April 2005
13 February 2016 Revised
15 May 2018 Revised

Sekinan Research Field of Language

Note
30 July 2019
In Kojien, one of the standard dictionaries in Japan, KAJIMURA Hideki is written as the following.

KAJIMURA  Hideki 
1935-1989
Researcher of Korean history. Born in Tokyo. Professor of Kanagawa university. The leading figure of research of Korean history after World War 2 in Japan.
(Translated by TANAKA from Japanese edition)

Read more: https://srfl-essay.webnode.com/news/kajimura-hideki-his-korean-classroom-note-added-version-2019/

Read more: https://srfl-collection.webnode.com/news/kajimura-hideki-his-korean-classroom-note-added-version-2019/

Murayama Dam
A source of supply in Tokyo area
Higashiyamato, Tokyo
2018

To Winter RI Ko 2015 English Edition

 

 
To Winter
RI Ko
2015 
English Edition


The original text of Story To Winter was written by Japanese.

This automatic translation by Google has ambiguity from the original text, especially at personal pronouns.
Original Japanese text is the following.

https://sekinancomment.weebly.com/to-winter.html


To Winter
RI Ko
2015 
English Edition

https://61f504a930fc6.site123.me/story




NISHI Junzo 1914-1984, Philosopher of Modern Japan What NISHI Junzo remained for us

NISHI Junzo 1914-1984, Philosopher of Modern Japan
What NISHI Junzo remained for us


TANAKA Akio

Yi-jing is one of the five great classics in China. I was taught it at the University from philosopher NISHI Junzo. From the spring to the autumn of a certain year of ancient Chinese thought history  , he lectured us the Yi-jing, that is usually estimated as the Chinese fortune-telling. But the book has deep and wide theoretical and philosophic fields than our modern thinking.

NISHI also taught us at the lecture the method of future-telling using the divining sticks. The lecture was at the morning, so the hearer were almost a few and sometimes when entering the class the student was only one by me. Such a time he calmly said to me from the lecture desk, " Today's lecture is to cancel, isn't it?" Soon after one student entered in the class and successively several came in the class and NISHI began the lecture as the usual calm style.

He taught us the numerous fantastic philosophical themes through his tranquil and pleasant speech. Yi-jing 's vast world consists with circle form alike spring again after severe cold winter.

The Yi-jing' s world is exactly infinite, and this infinity can be clearly grasped and understood for its circularity. For my understanding the characters in language, this recognition of circularity is very important and probably become the foundation of the structure of language over the characters or words' structural intuition.

NISHI also taught us Laozi, Sunzi and Zhuangzi at the other year's lectures. His speech was also descent and accurate. If the lecture be on print, his speech became one fin book as it was. His profound sayings remained till now as his class' atmosphere.

One day before he ended his lecture he described one strait tree on the blackboard. The tree stood in the black sky of the board. The branches were spread  freely to the sky. He lengthen one thin branch to the sky by his white chalk minutely and said to us, "This is the 'miao 妙' of Laozi." He put his chalk on the desk and his lecture was over.
[References 1]
Prague Theory 2004

Loop Time of Character 2011[References 2]
Intuition and Mathematics 2012
What NISHI Junzo remained for us 2 2012

 Tokyo
 30 August 2012

Intuition and Mathematics What NISHI Junzo remained for us 2

Intuition and Mathematics

What NISHI Junzo remained for us 2

 

TANAKA Akio                      

Intuition and mathematics are deeply concerned with each other.

In my stand, intuitive concept is first flowing up and the next mathematical description is arranged.

According to this situation, intuition is very important and if there is no such flowing up thinking, the development is almost not so easy proceeding.


The time concept in language is the key concept of my language model that is at first found from the ancient Chinese characters’ construction and after writing a short intuitive paper, the more precise descriptions are took up using mathematics especially of geometry. But at the deepest basis of language, time is seemed to be infinitive but not spread towards* a strait line to the future, more likely going round as  circle or circular situation.


This conjecture was firmed by Yi-jing that is one of the Five Great Classics of China.

I received the lecture on Yi-jing from philosopher NISHI Junzo some five years at the university. The world of Yi-jing consists from perfect infinitive circularity and this world is perfectly recognised by human for its closed situation of infinity.


It is very hard to recognise infinity as perfect whole image and Yi-jing is resolved this baffling problem through the shut-in world, that is “compact” concept of mathematics.


Reference

NISHI Junzo, Philosopher of Modern Japan 2012


Tokyo
30 August 2012
15 May 2018 Text revised at *mark word
Sekinan Research Field of Language

Sunday, 7 May 2023

Site Name History of HIlls West 2023 Renewed

 
Site Name History

I established Sekinan Library in 1986. Site name is also used Sekinan Library. At this library, I had researched ideogram especially Chinese character, that has continued since Yin dynasty at least 2,400 years ago. I had aimed for writing ideogram treatise using Qin dynasty's minute linguistic philosophy typically by DUAN Yuzai.

But I could not satisfy the research basis containing linguistic philosophical approach. I hope more accurate writing style and illustration. So gradually I have headed to mathematical method that I have loved its style since in my late teens. In 2003 I made a new site SRFL for the new direction.

SRFL is abbreviation of Sekinan Research Field of Language. The new site has uploaded the papers aiming for language universals since 2003, when the site total name was using sekinan.org. But this name is not used now.

 


From 2008, I have mainly used Weebly site titled Sekinan initials. So crowned Sekinan sites contain mainly early papers and essays although being renewed appropriately. Also I have used Wix site for invitation being named SIL initials.

But the papers have gradually increased. In 2016 I have newly used Webnode site for the reason storing up more papers easily.  Webnode sites are titled mainly SRFL initials, which papers are from Middle to Present.    

Besides Weebly and Webnode, I have used Website, Site 123 for simplified and invitational  sites, so these sites are almost Modern papers and essays and understandable invitation articles to the study of language. Contained papers are rather few but probably more readable, especially to the first visiting learners of language problems,
 naming is ENSILA for Website and Sekinan for Site 123.

But Many sites and site names have brought a kind of complex situation for uploading articles. So i
n march 2023, I newly made Website site, ENSILA Energy. ENSILA is an abridged name of Energy, Signal and Language, pronounces /ensaila/. I decided this site as a new portal site and the name of institution to writing articles is decided to Hills West. I live in the westerner area of the Hills located at the suburb of Tokyo.

 


3 September 2020
18 April 2023
Hills West
Tokyo